![]() ![]() That’s not all the two musicians have in common: Both withstood awkward teenage stardom and rampant public mockery to become punchline-resistant superstars. They’re both dominant forces on Billboard’s singles chart, landing deep cuts in the Hot 100 on the strength of ceaseless purchases and streams from a voracious public fanbase that seems to include everybody at this point. Last year, when the likes of “ Trophies,” “ 0 To 100,” and “ How ‘Bout Now” proved Drake could score a massive radio hit simply by uploading a song to SoundCloud, Gawker’s Jordan Sargent proclaimed him “ the Taylor Swift of rap.” Sargent’s thesis was that in an environment where even established stars have trouble getting heavily promoted singles on the radio, Swift and Drake are able to do it without even really trying.
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